An empty heavenly throne room with a floor of glass like a crystal sea and an unseen throne wreathed in gold light beneath an emerald rainbow.

Era 13 of 13

Revelation

15 peopleRevelation 1 – 22 · c. AD 95

The story of Revelation

"I, John, your brother and partner in the tribulation and the kingdom and the patient endurance that are in Jesus, was on the island called Patmos on account of the word of God and the testimony of Jesus" (Revelation 1:9). The last era of the Bible is a vision, and it begins with letters. Seven churches in Asia are addressed by name, and with them come the people caught up in their disputes: Antipas, "my faithful witness, who was killed among you" at Pergamum (Revelation 2:13); the Nicolaitans, whose works are hated at Ephesus and held by some at Pergamum (Revelation 2:6, 15); those who hold the teaching of Balaam, who taught Balak to put a stumbling block before Israel (Revelation 2:14); and Jezebel of Thyatira, "who calls herself a prophetess and is teaching and seducing my servants" (Revelation 2:20).

Then a door is opened in heaven. Around the throne sit the twenty-four elders, clothed in white with golden crowns, who fall down before the one seated there (Revelation 4:4, 10), and four living creatures full of eyes never cease their song. A scroll with seven seals is opened by the Lamb "standing, as though it had been slain" (Revelation 5:6), and with the first four seals come the riders: one on a white horse with a bow and a crown, one on a red horse who takes peace from the earth, one on a black horse with scales in his hand, and one on a pale horse "and its rider's name was Death, and Hades followed him" (Revelation 6:2-8).

The vision widens into figures the text names but does not explain. A hundred and forty-four thousand are sealed from the tribes of Israel (Revelation 7:4), and a great multitude no one could number stands before the throne (Revelation 7:9). Out of the abyss comes a king whose name in Hebrew is Abaddon and in Greek Apollyon (Revelation 9:11). Two witnesses prophesy in sackcloth for 1,260 days, are killed, and rise (Revelation 11:3-12). A woman clothed with the sun cries out in birth pains before a dragon (Revelation 12:1-6), a beast rises from the sea (Revelation 13:1), and a second beast rises from the earth and makes the earth worship the first (Revelation 13:11-12). What each figure stands for is argued over; the text itself says only what it shows.

The era ends where the story does. A rider called Faithful and True comes out of heaven (Revelation 19:11), the bride is made ready, and a voice from the throne says, "Behold, I am making all things new" (Revelation 21:5). In the city there is no temple, "for its temple is the Lord God the Almighty and the Lamb" (Revelation 21:22), and the servants of God "will see his face, and his name will be on their foreheads" (Revelation 22:4). The people of this final era are the last named in Scripture, and the book closes with an invitation open to anyone: "let the one who is thirsty come" (Revelation 22:17).

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Key figures of this era

Oil-painting style scene of The Twenty-Four Elders, figures from the Bible

The Twenty-Four Elders

Twenty-four heavenly figures who worship God and hold the prayers of the saints in golden bowls

Oil-painting style scene of The 144,000, figures from the Bible

The 144,000

Group of 144,000 sealed Israelites who follow the Lamb on Mount Zion

Oil-painting style portrait of The Two Witnesses, Prophetic ministry in Revelation characterized by miracles, martyrdom, and resurrection

The Two Witnesses

Prophetic ministry in Revelation characterized by miracles, martyrdom, and resurrection

Oil-painting style portrait of The Woman Clothed with the Sun, Visionary woman in Revelation who gives birth to the Messiah and is protected by God from a dragon

The Woman Clothed with the Sun

Visionary woman in Revelation who gives birth to the Messiah and is protected by God from a dragon

Oil-painting style portrait of The Beast from the Sea

The Beast from the Sea

World leader who receives a mortal wound and demands global worship

Oil-painting style portrait of The Beast from the Earth

The Beast from the Earth

False prophet who forces the world to worship the Antichrist and receive his mark

Oil-painting style portrait of Jezebel of Thyatira

Jezebel of Thyatira

False prophetess who seduced the church at Thyatira into idolatry

Oil-painting style portrait of The Nicolaitans

The Nicolaitans

False teachers in the early church who advocated for compromise with pagan idolatry and immoral behavior

Who were the Revelation?

People and figures who first appear in the book of Revelation — the messengers of the seven churches, the witnesses, and the symbolic figures of John's visions, handled as the visionary imagery Scripture presents them to be.

Everyone in this era

Grouped by the book where each person first appears.

Oil-painting style scene of The 144,000, figures from the Bible

The 144,000

Group of 144,000 sealed Israelites who follow the Lamb on Mount Zion

Oil-painting style portrait of Abaddon

Abaddon

Angel of the bottomless pit who leads an army of supernatural locusts during the end-times tribulation

Oil-painting style portrait of Antipas, Martyr of Pergamum called a faithful witness by Jesus

Antipas

Martyr of Pergamum called a faithful witness by Jesus

Oil-painting style portrait of The Beast from the Earth

The Beast from the Earth

False prophet who forces the world to worship the Antichrist and receive his mark

Oil-painting style portrait of The Beast from the Sea

The Beast from the Sea

World leader who receives a mortal wound and demands global worship

Oil-painting style portrait of Jezebel of Thyatira

Jezebel of Thyatira

False prophetess who seduced the church at Thyatira into idolatry

Oil-painting style portrait of The Nicolaitans

The Nicolaitans

False teachers in the early church who advocated for compromise with pagan idolatry and immoral behavior

Oil-painting style portrait of The Rider on the Black Horse

The Rider on the Black Horse

Third Horseman of the Apocalypse who brings economic collapse and food scarcity

Oil-painting style portrait of The Rider on the Pale Horse

The Rider on the Pale Horse

Fourth horseman of the Apocalypse who personifies Death and brings plague

Oil-painting style portrait of The Rider on the Red Horse

The Rider on the Red Horse

Rider of the apocalypse who takes peace from the earth and wields a great sword

Oil-painting style portrait of The Rider on the White Horse

The Rider on the White Horse

First of the Four Horsemen of the Apocalypse who carries a bow and wears a crown

Oil-painting style portrait of Those Who Hold the Teaching of Balaam

Those Who Hold the Teaching of Balaam

Sect in the church of Pergamum who promoted compromise with pagan idolatry and sexual immorality

Oil-painting style scene of The Twenty-Four Elders, figures from the Bible

The Twenty-Four Elders

Twenty-four heavenly figures who worship God and hold the prayers of the saints in golden bowls

Oil-painting style portrait of The Two Witnesses, Prophetic ministry in Revelation characterized by miracles, martyrdom, and resurrection

The Two Witnesses

Prophetic ministry in Revelation characterized by miracles, martyrdom, and resurrection

Oil-painting style portrait of The Woman Clothed with the Sun, Visionary woman in Revelation who gives birth to the Messiah and is protected by God from a dragon

The Woman Clothed with the Sun

Visionary woman in Revelation who gives birth to the Messiah and is protected by God from a dragon